Before covid we were running a story telling night called The Moving Story Telling Cafe but it was derailed and not just by covid - we sadly lost one of our trio to cancer. So last month we relaunched but this time without the Moving - The Folk of Gloucester have kindly offered us a permanent home and also house one of the other Legacy projects of Chloe The Midnight Story Teller... The Story Telling Library.
Last month was a special launch and opening of the library with lots of guest story tellers who all knew Chloe personally - that means the this month is going to be the first actual Gloucester Story Telling Cafe and it happens to fall on May the Forth. One of the reasons the three of us... Chloe, Jane and myself worked so well was that we are unashamedly geeks but perhaps not so obviously geeks to those with narrower ideas of what a geek is. We love our sci-fi and fantasy and I had a request from the Gloucestershire Poetry Society to have an event that geeky poetry would be welcome... well how could we resist such a set up.
So we are blasting off with a Starwars joke and a sci-fi author whizz reading a poem from their sci-fi novel!
Chris Hemingway is a poet, prose writer and musician from Gloucestershire. His book “The Future” was published in 2016 and was described by Cheltenham Poetry Festival as ‘darkly witty, like “The Man Who Fell to Earth “ meets “The Office”’. He has also had published two poetry pamphlets ‘party in the Diaryhouse’ and ‘paperfolders’. That’s a lot of ‘p’s’…
I have used a picture of my dad dressed up an explorer of space when he was a little boy - my Granddad took arty pictures and with my Nanny loved to make outfits for my dad and I am so lucky that copies of this one still existed in Australia and that a cousin kindly sent a copy to me.
Doors open at 7 on May the 4th 2013 at The Folk of Gloucester 99-103 Westgate Street Gloucester, Gloucestershire, GL1 2PG
There is a cafe and bar. Entry is free but we will have a pay what you want pot out!
We are open to all story telling types from traditional to memoirs, to flash fictions, to novel extracts, to oral and of course narrative poetry!
Our Moto is "story telling for all/everyone" and as such not only do we have some fab guests lined up as well as music but we have an open mic were we would love people to come and share. Open mic slots are a max of 10 minutes.
This is the years itinerary - first Thursday of every month except January as lets face it - it is nearly always going to be too close to New Years Eve for most people and I can't be dealing with that!
Here is the Facebook event for tomorrows: One Two Three... Blast Off! and May the Forth be with you!
Sun 20th of Jan - Waterstones Presents Villanelles with the Gloucester Poetry Society 2-4 pm in the cafe Waterstones Gloucester free entry
Thurs 31st of Jan - an evening with Holly McNish and fellow poets at Blackfriars Gloucester (sold out)
February World Poetry Writing Month - or WoPo - a writing drive I have been running for nearly a decade now, it runs through out Feb and I pop up writing exercises and various inspirational bits including guest bloggers and I have some fantastically talented people lined up as guest posters this year 🙂 There is also a Facebook group and page and posts will appear on TheMonsterBlogs twitter and the Pinterest board.
Thurs 7th Feb - First Thursday The Enduring Eye at the Wilson Museum and Art Gallery Cheltenham Sarah will be presenting a poetic response to the polar exploration exhibition, free event and part of regular series: On the first Thursday of the month a cultural hub of food, music, performance, art and retail – all within walking distance and outside of traditional working hours – will come together along Clarence Street, Royal Well Road, St George’s Place and Church Street. First Thursdays is a public event and free to attend. The cultural quarter stays open until 9pm or later on the first Thursday of every month
Mon 11th of Feb - Cheltenham Poetry Festival Slam Qualifier 7:30 pm Playhouse Theatre Cheltenham, £5 tix
Sun 17th of Feb - Waterstones Presents Villanelles with the Gloucester/shire Poetry Society 2-4 pm free event - this event is now on the third Thursday of each month bar April as it clashes with Easter Sunday.
Sat 23rd of Feb - Folk Craft and Story Telling at the Folk Museum Gloucester (also known as the Life Museum) this is a free event as part of the Folk Trail during the Gloucester Folk Festival. Based in the Dairy and Victorian School Room out the back of the museum - sadly due to structural work the actual museum will be closed but the diary, cider press room and garden will be open. We will be running Rag Rug and Barge Painting workshops in the Dairy and story telling (including Aethelflead the puppet) in the Victorian School Room!
So this is a thing, I didn't know it was a thing - I probably did but then forgot :/ But get your fancy head gear out!
Today is #HatsforHeadway to raise awareness and cash for an absolutely brilliant charity who have helped so much with people like me who have sustained head injuries. This is the hat I knitted for the Science Showoff on Neurology and brainy things special that they did. It was a wonderful evening with Dr Carina Fearnley a fellow head injury sufferer and friend from my Geology undergraduate days. She has made a fantastic video about her experience:
The event was at the Star of Kings in London but I believe was raising money for the Bristol Headway and I made a paper mache brain and got gummy brain sweets. The hat has since appeared at various British Science Week Events, Cheltenham Science Festival and BBC Country File Live show/festival. It was an amazing night were I learnt about all sorts of things including the medical skeletons etc... lurking beneath London and what their skulls can tell us!
What I didn't say at the time was that I was struggling with knitting due to the damage to my left hand side so this whole thing was create out of loom knitting (French knitting or knitting nancy/spool knitting are all mini looms). Also for me to actually make it to the gig my dad had to come and meet me at the station - which in your 30's is pretty embarrassing, but I have only recently been able to attempt travel on my own on that sort of scale and I was still unable to cook anything other than a microwave meal safely on my own (I've set fire to pans and tried to pick up boiling pots with my bare hands...).
There is currently an Art Exhibit and series of talks etc... at Kings College about head injury including a pice on Identity after the fact. I myself had to basically learn to draw again - I always drew with both hands but now... the pictures come out distorted - I have a blind spot in my left eye, and hand coordination was hard. Add in the crisis of everyone else knowing more about me than I myself did and I ended up producing Love: A Stranger Dream. It started as distinct pictures which people asked for as colouring sheets so I put them up for free download here. Then I realised there was a kind of non-linear narrative or themes running through the works and it became a book of visual poetry. I took refuge in art - something that is quiet important in developing coping mechanisms and reducing the amount of depression that head injury victims feel - it is like having everything that is you stripped away.
I even made audio.
And video of it.
Art that started as a way to just express myself when speech and writing where hard graft ended up as something that has helped friends, it explores lots of different aspects of identity and so has ended up at GLBT+ events, dis/different-ability events, music and art installations, two different events for International Women's Day, comic book conventions, poetry events, story telling and maze festivals. I've even made a dress from the art work 0.o - ok yeah I got carried away!
(can't find the photo - if I came across it I'll add it later! but it got compared to the stuff worn by the Welsh Eisteddfod singer/bardic peeps)
As I've probably bored everyone with - I have not long been discharged from the head injury unit including physio at Gloucester Royal - still under neurology but the main chunk of it is done. Charities like Headway - the brain injury association are an absolute life line and they have local branches but head injury sufferers often struggle to get the help that's needed especially as most of the time they still look "normal". I was being mistaken for being drunk and struggling with lots of things. So yeah - hats for headway 🙂
Bit late to be adding this now considering I have already performed at a few including the Swindon Literature Festival's 25th anniversary extravaganza of a poetry slam (Joy-Amy won!!!) which included people like Tina Sedaholm and other previous winners. I have been to London, Bristol, and Stroud also - but that is the what has been and there is still a lot to come!
Sat 19th May 3-7 pm Food For Thoughts Heroes event in Worcester - poetry, music, spoken word, comedy and story telling - free with charity collection
Tues 22nd May 6-8 pm Gloucester's second Pecha Kucha Night - fast fun Japanese style presentations on various creative and community aspects or the creatives tales themselves - my presentations is From Rocks To Puppets and Back Again - Gloucester - free
Sun 27th May 2-4 pm - Sea Special Villanelles at Waterstones Cafe - I am co-hosting this event with poetry games and open mic, come and share your own work or poems that have inspired you - Gloucester - free and family friendly
Wed 30th May 7:30 pm start - History Showoff Women's Special at the Bishopsgate Institute - a night of comedy and cabaret - come and meet Aethelflaed the Puppet and learn about the Warrior Queen of the Mercians! (psst she's much better than her old dad who only went and burnt the cakes!) - ticketed event £9
And June isn't looking too shabby either - but more on that later!
So I have been investigating the oral traditions of the Anglo-Saxons, this includes song, poetry and story telling and really how the three were once one thing - no ones really quiet sure what the music sounded like or how much of the stories where sung or spoken - there were probably variations like we have today - after all they were people just like us.
Replicas of the instruments much such beautiful haunting sounds that I have fallen in love with them and found myself falling down a rabbit whole of music history and theory. I am now reading up on the general history of the lyre or harp which has taken me back into the old testament of the bible and also into listening to Pirate Thrash Metal!
Stories where not just entertainment they were the history and identity of people but they were also the media of the time. You wanted to be remembered then you needed the bards to sing of you! Aethelflaed, her father Alfred the Great and her brother all knew how important stories could be.
We are lucky in that some of these stories still exist today - some even got written down in contemporary times ie more than a millennium ago! But even written stories struggle at being static and alter with the copying and in some cases purging of the words. Aethelflaed herself appears to have been purposefully written out of the Wessex or primary version of the Anglo-Saxon Chronicle - by her brother for fear that the stories of her would encourage her Kingdom of Mercia to see itself as always distinct from Wessex. But she appears in later stories - romanticised and even turned into a virgin - though potentially that is due to exact meanings of words changing through time.
It is thought that the poem Judith is based on her - and maybe even commissioned by her - it casts parallels of the virtuous biblical female and the Lady of Mercia. I need to investigate it more - here's the [Wikipedia page](Anglo-Saxon poem Judith). I am struggling to find copies or it but I have found this 7 hr etc... video of another poem called The Wanderer - this is the one I have been quoting (in translation) at my poetry afternoons in Waterstones in Gloucester.
Of course the fact that I am having to read out translations is another fascinating warren of knowledge for me to investigate - I was taught in school about Old and Middle English but I kind of forgot about it all except when Alaric starts quoting Chuarcer at me. Due to character develop for my puppet of Aethelflaed I am also investigating the language - I love how languages split and merge and change and how you can trace human interactions along the lines of dialects and word exchange. But that shall be another blog post or two - back to Anglo-Saxon Music.
Youtube is filled with some brilliant pieces.
Anglo-Saxon poem "Deor" with Lyre
One of the reasons I have got myself a lyre is because they appear in the art works of Anglo-Saxon England and remnants have been found both in Britain on in Europe, culturally the Anglo-Saxons where from northern Europe including what is now Germany and those pesky Vikings they were fighting, they had once been themselves. So you can through Danes into the mix not to mention the "Celtic" and Britons who were lurking around since before Roman times, we always tend to think of history in simple A to B narratives but it very much isn't and there are influences from all over the place. The lyre itself is a very ancient instrument and may well have come to Europe from the Middle East - as in the harp that David plays in the bible.
But the lyre is not the only instrument that the Anglo-Saxons used - drums and flutes are featured in their artworks - I simply do not have the budget to explore these other instruments at the moment but it is on the to-do list. It is thought that they would often have been played in conjunction with each other - here is an example.
Anglo-Saxon Folk Music - "Wælheall"
Music isn't as clear cut a thing as I was initially taught at school with 8 notes and nothing in-between, musical tuning and what counts as a note has changed quiet drastically. I see this as an amazing diversity and am happy because having grown up with folk and gospel singing I also struggled with the classical definition of music. Rock and pop tend to mix it all up which I think is also fab! But this can mean that people perceive older types of music or say those from India etc... as being out of tune. This isn't the case but it is due to how the instruments are tuned. They are in tune with themselves and not necessarily with other surrounding instruments, you have to work at finding what fits together and as a vocalist adapt to the instruments you are singing along with. In choir I did a lot of singing without instrument backing - sometime the song sound fab - we were all in tune with each other and the music was full and vibrating the rafters but when the piano was dinged at the end to see if we had maintained our tuning - we... hadn't. We were off doing our own thing. I think that this is kind of how older music would have worked - you had natural materials which would affect what sounds the finished instrument would be suited too ie the grain of the wood and the shape in which it carved, the diet of the animal the sinue came from to string it... so many little factors. The classical music that we are taught as Music in schools has very specific parameters and if and instrument can't meet those it is considered defective - I think there is no coincidence that the emergence of such strict musicality came about as technology and science began to be a thing throughout Europe.
This is complete guess work on my part I can't even read music (well not with out looking the notes up and then pinging them on my guitar! I've always worked things out by watching or just playing around with the instrument), I am certainly no music theorist and I'm not even a historian! If I am wrong - tell me how I am wrong - I am investigating this stuff - searching and learning and others input is always appreciated!
What's that? I digressed? Yeah ok you have a point....
I will finish off with this video I found of The Classic - the first piece of European Literature (if you take the Mediterranean as not being Europe) - the Epic Poem of BeoWulf sung and played on the hardy-gurdy (now there's an instrument I would like to get my hands on! But I believe it was a later dated instrument - more high medieval than the low medieval of Saxon England - I could be wrong as I have a hell of a lot more reading to do!).
I think this is this guy - anyway I better get back to trying to work out how to play my lyre - twinkle twinkle little star.... ok so they are the tunes I knew the best ok!
Books, Events and Outings, Music, Poems, Stories and Tellings, Work, Writing | sarah | 
Wed 3rd May 2023 10:54 am | 
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